ENGLISH
DISSOLUTION FINALE, THE FORBIDDEN KABARET
Our artistic approach
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Europe: the 1930s. The universe of our songs pales in comparison to the trauma attending the birth of conflict. A conflict which was to reshape a part of the world - but which also gave birth to a new artistic movement, an unexpected gift from on high to our inspiration. Diseased, degenerate art: die entartete Kunst. Can bits of words, exclamations and lamentations even be called songs? Choruses which don’t fit with the verses, meaning without meaning where the forbidden is now allowed… nothing is to be more important than deviance. To destroy what has not yet been built, let us not make way for those installations which are destined to exist. We must shake up the brutish nature of the masses! We must wake up the flock of empty-headed sheep! Our fallen prima donnas, ungagged, sing their decadent hymns from within the torment of artistic totalitarianism. All dreams of the absolute evaporate as these mistreated puppets lead us through the ruins of their cabaret. It remains for us only to follow their phantasms! |
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Dissolution finale
Translated by Barney
Recorded and masterised by Neemis Mastering
Designed by Jhogun
Performances
Dissolution Finale highlights the artistically troubled period. Unclassifiable and timeless, his music braves the history by his punk trend and his contemporary. Inspired by pre-war german cinema, Dissolution finale is a musical and dramatised work, a obsessed rock show..
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The musicians
→ 1 enlightened prima donna
→ 1 disillusioned guitarist
→ 1 inhibited blade player
→ 1 fanatic VJ
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